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    The Performance Practice of Electroacoustic Music

    The Studio di Fonologia years

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    Contributor(s)
    Toro-Pérez, Germán (editor)
    Language
    English
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    Abstract
    This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
    URI
    https://library.oapen.org/handle/20.500.12657/45759
    Keywords
    Angelica; Aufführungspraxis; Bennett; Dominik; Electroacoustic; Elektroakustische Musik; Fonologia; Germán; Lucas; Music; Musikgeschichte; Pérez; Performance; Practice; Sackmann; Scholze; Studio; Studio di Fonologia; Toro; years
    DOI
    10.3726/b11668
    Publisher
    Peter Lang International Academic Publishers
    Publisher website
    https://www.peterlang.com/
    Publication date and place
    Bern, 2018
    Series
    Zuercher Musikstudien, 9
    Classification
    Electronic music
    Theory of music and musicology
    Pages
    156
    Rights
    https://creativecommons.org/licenses/by/4.0
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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