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    The Indian Craze

    Primitivism, Modernism, and Transculturation in American Art, 1890–1915

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    Author(s)
    Hutchinson, Elizabeth
    Contributor(s)
    Thomas, Nicholas (editor)
    Collection
    Knowledge Unlatched (KU)
    Language
    English
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    Abstract
    In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
    URI
    https://library.oapen.org/handle/20.500.12657/48501
    Keywords
    History; United States; 20th Century; Social Science; Ethnic Studies; American; Art; American
    DOI
    https://doi.org/10.1215/9780822392095
    ISBN
    9781478090786
    Publisher
    Duke University Press
    Publisher website
    https://www.dukeupress.edu/
    Publication date and place
    2009
    Grantor
    • Knowledge Unlatched
    Imprint
    Duke University Press
    Classification
    History of the Americas
    History of art / art & design styles
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
    • Harvested from KU

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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