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    Affective Images

    Post-apartheid Documentary Perspectives

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    Author(s)
    Kesting, Marietta
    Collection
    Knowledge Unlatched (KU)
    Number
    6361
    Language
    English
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    Abstract
    Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, "white noise," and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments.
    URI
    https://library.oapen.org/handle/20.500.12657/53480
    Keywords
    Social Science; Ethnic Studies; African Studies
    DOI
    https://doi.org/10.1353/book.100024
    Publisher
    SUNY Press
    Publisher website
    http://www.sunypress.edu/
    Publication date and place
    2017
    Grantor
    • Knowledge Unlatched
    Imprint
    SUNY Press
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
    • Harvested from KU

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    Credits

    • logo Scoss
    • logo EU
    • logo Scoss
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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