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    Motetten am Hof Maximilians II. (1527–1576)

    Komponieren im Zeitalter der Konfessionalisierung

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    Author(s)
    Pfohl, Jonas
    Language
    German
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    Abstract
    In the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor’s personal faith is reflected in motets.
     
    Dieser Band verzeichnet und erschließt erstmals das von Mitgliedern der Hofkapelle des Erzherzogs und späteren Kaisers Maximilian II. – unter ihnen Jacobus Vaet, Philippe de Monte und Jacob Regnart – komponierte geisteliche Motettenrepertoire. Die Musikpflege einer Hofkapelle dieser Zeit diente nicht nur der höfischen Repräsentation, sondern musste auch den künstlerischen und religiösen Vorlieben eines Herrschers genügen. Da Maximilian II. trotz seines öffentlichen Bekenntnisses zum Vatikan Sympathien für die Reformation hegte, gehen die umfangreichen Analysen der Texte und Kompositionen auch der Frage nach, wie sich diese Diskrepanz zwischen romtreuem Hofzeremoniell und dem persönlichen Glauben des Herrschers im Motettenschaffen seiner Hofmusiker widerspiegelt.
     
    URI
    https://library.oapen.org/handle/20.500.12657/59151
    Keywords
    Renaissance, Polyphonie, Motette, Habsburger, Maximilian II., Konfessionalisierung, Quellenstudien; Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikgeschichte (604022); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002); Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Philosophie, Ethik, Religion (603) -- Sonstige Religion, Religionswissenschaften (6039) -- Religionsgeschichte (603908); Renaissance, Polyphony, Motet, Habsburg Court, Maximilian II, Confessionalization, Source Studies; Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017); Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music history (604022); Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024); Ã FOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002); Ã FOS 2012 -- HUMANITIES (6) -- Philosophy, Ethics, Religion (603) -- Religion, Religious Studies not elsewhere classified (6039) -- History of religion (603908)
    ISBN
    9783990129982
    Publisher
    Hollitzer
    Publisher website
    http://www.hollitzer.at/
    Publication date and place
    2022
    Grantor
    • Austrian Science Fund (FWF) - PUB 880
    Imprint
    Hollitzer Verlag
    Rights
    http://creativecommons.org/licenses/by/4.0/
    • Harvested from FWF

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    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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