Chapter Da un segno a tanti segni. L’emergere della polisemia del termine disegno nelle traduzioni tedesche delle Vite di Vasari
Abstract
This chapter focuses on the German translations of La Vita of Raffaello by Vasari. Ballestracci focuses her attention on translations into German of the word «disegno», on its complex and multifaceted meanings and its crucial role in Vasari’s work. After presenting all the occurrences of the word forms from the lemma «disegn-», Ballestracci analyses the instances in which «disegn-» was not translated directly as «Zeichnung» in two different target texts. Results of this study confirm the fascinating hypothesis by which the translations of a polysemous term cause the surfacing of meanings in the target text that were hidden in the source text and that, in this particular case, carry key aspects of Vasari’s thought.
Keywords
translation; art; polysemy; Vasari; German languageDOI
10.36253/979-12-215-0061-5.04ISBN
9791221500615, 9791221500615Publisher
Firenze University PressPublisher website
https://www.fupress.com/Publication date and place
Florence, 2023Series
Lessico multilingue dei Beni Culturali, 1Classification
The Arts