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    Sound Design

    Die virtuelle Klangwelt des Films

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    Author(s)
    Flueckiger, Barbara
    Language
    German
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    Abstract
    Mitte der 70er Jahre begann sich das ästhetische Vokabular des Filmtons auffällig zu verändern. Plötzlich sausten kreischende Jets über die Köpfe des Publikums und Hubschrauber durchflogen alle vier Quadranten des Kinoraums. Neu erschienen auch das Dolby-Stereo-Logo und die Berufsbezeichnung Sound Designer auf der Leinwand. Eine Generation von tonbesessenen Regisseuren wie Francis Ford Coppola, George Lucas oder Martin Scorsese hatte das suggestive Potenzial des totalen Sound erkannt. Sound Design - die virtuelle Klangwelt des Films analysiert die jüngsten klangästhetischen Entwicklungen des amerikanischen Mainstreamfilms. Das Buch durchleuchtet Konventionen und scheinbare Selbstverständlichkeiten und öffnet den Zugang zur komplexen Architektur der filmischen Tonspur.
    URI
    https://library.oapen.org/handle/20.500.12657/76523
    Keywords
    Tonästhetik;Tontechnik;Auditive Ortung;Magnetton;Fantasound;Posproduktion;Mehrspurtechnik;Klangobjekt
    DOI
    10.23799/9783741002472
    ISBN
    9783894725068, 9783741002472
    Publisher
    Schüren Verlag
    Publication date and place
    2023
    Series
    Zürcher Filmstudien, 6
    Pages
    520
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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