Decoding Digital Culture with Science Fiction
Hyper-Modernism, Hyperreality, and Posthumanism
Abstract
How do digital media technologies affect society and our lives? Through the cultural theory hypotheses of hyper-modernism, hyperreality, and posthumanism, Alan N. Shapiro investigates the social impact of Virtual/Augmented Reality, AI, social media platforms, robots, and the Brain-Computer Interface. His examination of concepts of Jean Baudrillard and Katherine Hayles, as well as films such as Blade Runner 2049, Ghost in the Shell, Ex Machina, and the TV series Black Mirror, suggests that the boundary between science fiction narratives and the »real world« has become indistinct. Science-fictional thinking should be advanced as a principal mode of knowledge for grasping the world and digitalization.
Keywords
Science Fiction; Media Theory; Posthumanism; Creative Coding; Digital Cuture; Marxism; Critical Theory; Media; Culture; Film; Cultural Theory; Digital Media; Media StudiesDOI
10.14361/9783839472422ISBN
9783839472422, 9783837672428, 9783839472422Publisher
transcript VerlagPublisher website
https://www.transcript-verlag.de/Publication date and place
Bielefeld, 2024Imprint
transcript VerlagSeries
Digitale Gesellschaft, 67Classification
Media studies
Cultural studies
Media studies: internet, digital media and society