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    Abstraction in Science and Art

    Proposal review

    Philosophical Perspectives

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    Contributor(s)
    Ambrosio, Chiara (editor)
    Sánchez-Dorado, Julia (editor)
    Language
    English
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    Abstract
    This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation. When scientists attempt to make sense of complex natural phenomena, they often produce highly abstract models of them. In the history and philosophy of art, there is a long tradition of debate on the function of abstraction, and – more recently – its relation with theories of depiction. Adopting a process-oriented perspective, the chapters in this volume explore the epistemic potential of a diversity of practices of abstracting. The systematic analysis of a wide range of historical cases, from early twentieth-century abstractionist painting to contemporary abstract photography, and from nineteenth-century physics to recent research in biology and neurosciences, invites the reader to reflect on the material lives of abstraction through concrete artefacts, experimental practices, and theoretical and aesthetic achievements. Abstraction in Science and Art: Philosophical Perspectives will be of interest to scholars and advanced students working in aesthetics, philosophy of science, and epistemology, as well as to historians of science and art, and to practicing artists and scientists interested in exploring foundational questions at the heart of the creative practice of abstracting. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. Open access for this book was funded by University College London.
    URI
    https://library.oapen.org/handle/20.500.12657/93560
    Keywords
    Chiara Ambrosio;Julia Sánchez-Dorado;philosophy of science;aesthetics;understanding;abstraction;scientific representation;philosophy of photography;abstract pictures;objective resemblance;abstract space;objective painting;scientific models;informational equivocation;creativity;imagination
    DOI
    10.4324/9781003380955
    ISBN
    9781040025741, 9781032462875, 9781003380955, 9781040025727
    Publisher
    Taylor & Francis
    Publisher website
    https://taylorandfrancis.com/
    Publication date and place
    2024
    Grantor
    • University College London
    Imprint
    Routledge
    Series
    Routledge Research in Aesthetics,
    Classification
    Philosophy: aesthetics
    Philosophy of science
    Philosophy: epistemology and theory of knowledge
    History of art
    History of science
    The arts: general topics
    History
    Pages
    261
    Rights
    https://creativecommons.org/licenses/by-nc-nd/4.0/
    • Imported or submitted locally

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    License

    • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

    Credits

    • logo EU
    • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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